X-rays of a Rubik’s Cube reveal its internal components. A simple core of interlocking pieces that allow endless rotations. Beneath the colorful exterior lies an internal structure, a puzzle within a puzzle. A bit difficult to solve this one...

Peter Simmonds’ vision started young. In his grandmother’s house, a box of mismatched Lego bricks, and no instructions. That kind of freedom shaped everything he does today, eventually leading to the creation of the Peter Simmonds brand of upcycled wearables. The 001 Trapper was my introduction into his CCTV world of aesthetics—a hat I picked up in 2021. It’s post-apocalyptic art you can wear, made from repurposed military parachutes. Sounds absurd, right? At the same time, it’s also the kind of piece that makes you feel strangely grounded, like being a kid again.

From 1964 to 1967, Joseph Weizenbaum developed a psychotherapist computer program at MIT. At the time, there was an optimistic dream that computers could be built to think like humans. Scientists scrambled to reverse-engineer human thought processes. And they failed. Weizenbaum, however, built something that undermined their efforts: a computer program that simply reflected human thoughts back at them. Like a therapist, ELIZA didn’t need to think—it just needed to listen. Type in your problems. Exactly what you’re feeling. And the machine would do what Carl Rogers, the renowned therapist, built his entire method around: Repeating your words back to you. A different version of what you already said. What stunned researchers wasn’t just ELIZAs ability to mimic Roger’s methods. It was that people liked talking to her. Even when they knew she was a computer program. Without a consciousness. Somewhere in that loop, people found comfort though. So we created our own version of ELIZA. I reached out to friend/designer/engineer Louie Gavin of Tame Labs®, who had written his university thesis on conversational AI, including a brief exploration of ELIZA. We both shared an interest in modernizing ELIZA. No predictive text tricks. No generative image. Just a chatbot that listens, without trying to sell you something or have sex with you. Conducting our own Turing Test over the past two weeks, we had friends and clients test it out at Null HQ. Instead of treating it as a relic, or an early breakthrough in conversational AI, users immediately judged it. They projected onto it. They tried to outsmart it. And what we learned wasn’t about ELIZA. It was about us. Maybe that was the point all along.

Convenience always comes at a cost. Before Dangycam- well, before the current fixation on handycams took over TikToks and fashion week aftermovies, Thomas Dang was already deep in it, shooting Miami’s scene on tape before it became a trend. Now, Dangycam is an LA based brand that specializes in designing and fabricating specialty accessories and tapeless camcorder solutions. Instead of leaving the nostalgia of tapes behind, he engineered a solution with the help of his friends Devin and Gunner: bespoke cables, modular mounts, and functional upgrades that allow videographers to record tapeless without sacrificing aesthetics. What started out as a ghetto grass roots company has recently surged with a polarizing popularity, selling out minutes after every drop. Some argue that it's an overpriced convenience.... But others can only shit on Dangy's name rather than appreciate the vision. It’s sleek. It’s functional. Convenient. The internet has it's opinions, but so do we... On Thursday, 1/30/25, Null Society sat down with Thomas Dang at the Downloads HQ to talk about the backlash, the price of modernization, and why people are still buying into the hype of nostalgia.

Once in May and once in July, you can experience living in a 2D rendering of a select few locations. Observable shadows are negated by the culmination of the sun at the zenith during solar noon, creating a subsolar point. The phenomenon is not restricted to Hawaii, but the name Lāhainā Noon was coined after a contest sponsored by the Bishop Museum. Lāhainā Noon was selected based on the translation of lā hainā: “cruel sun”. The ancient Hawaiians called it kau ka lā i ka lolo: "the sun rests on the brains”. In Mecca, this happens over the Kaaba, often referred to as al-Ka'ba al-Musharrafa. The Kaaba is the quibla, the point faced by Muslims around the world in prayer. The Kaaba was built at a point in which this would happen in order to allow its position to be deduced by those in other parts of the world based on the shadows cast by vertical objects.

Too much time has passed without a rewatch of the infamous Icona Pop Apple commercial. A brand that didn’t feel like a brand. Paired with a band that wasn’t a band. But together? More real than anything else. It was before the death of iTunes, when Apple actually cared about music. And the visuals complimented every stem. Roller skates. Neon silhouettes dancing. That laugh... those notes... the visuals... the vocals... nostalgia. It doesn’t get more 2000s than this. The bass kicks in. Heavy synth, pulsating. Movements synchronized to the gravity of bouncing earbud wires. Even the earbuds felt alive—like they had somewhere to be, something to prove. I was locked in. Seven years old. Exposed to good music, good visuals.
Thank you, Apple—not just for your perfect Y2K commercials, but for those free earbuds. Still rocking them today.

A few years ago, while redesigning my home, I acquired a set of Kartell nesting tables and became captivated by the work of Italian designer and architect Giotto Stoppino.‍ His designs balanced affordability with aesthetic integrity, exploring functionalism and materiality through a maximalist approach. Iconic pieces like his plastic magazine rack, Equilibrium lamp, and nesting tables exemplify this.‍ The Radical Design movement of the 1960s and 70s produced ingenious objects and art- a movement that Stoppino paralleled within his own philosophies. Stoppino’s design schema was driven by intentionality. While most movements of the time were focused on modernizing with traditional materials (wood, steel), Stoppino found an opportunity to look towards the future of materials in an exploration with Kartell. A year-long journey of testing for the concept of molded plastic brought the Kartell nesting tables to life, an innovation that would change the course of post-modern Italian design.

I've seen satirical takes on North Korea—The Interview, Team America—but a Tumblr page? Kim Jong Il Looking At Things is both hilarious and strangely therapeutic. The book’s description on the blog's landing page opens with: "The most photogenic leader is finally featured in a respectable medium." Damn, that’s good. Take my money. And how am I just hearing about this?! Created by João Rocha, the blog launched on October 26, 2010, quickly going viral on Tumblr and r/pics, gaining enough momentum for a 2014 book deal—192 pages of Kim Jong Il looking at things, admiring things, touching things. Oddly comforting.

Shuck yeah. $1 Oyster Day at Whole Foods is tomorrow. Prime members only, of course- you only get oysters for the low if you pay the Bezos tax. They don’t really advertise it though, if you know, you know. Seasoned vets show up early, hovering by that seafood section like it’s a damn Supreme drop. And don't even think about calling ahead. They’ll take your order just to gaslight you when the oysters should be ready for pickup. They don’t have it ready because they didn’t even take the order. Wait with the others. And the sticker price? Never the sale price. But don’t freak out. Just have your phone ready so they can scan your Prime QR code. Honestly, these oysters alone make Prime worth it. And if you’re lucky, they’ll even shuck them for you. Depends on who’s working. 

I never thought I’d be writing about horses, but here we are. And honestly? Horse shoes? Even crazier. But these Renegade Hoof Boots? Kinda fire. I mean, if you’re a sneakerhead, shouldn’t your horse be one too? These aren’t just for show—they’re built for performance, traction, and full flexion of both the hoof and pastern. Made from high-tech polymer and available in seven sizes and eight colors… because horses deserve options too.

Swiss-based journalist and aerial photographer Georg Gerster was a pioneer in aerial photography, logging countless flight hours without ever holding a pilot’s license. Since beginning his career as a freelance journalist in 1956, he learned many languages and explored every corner of the globe, from ancient temples in Sudan to the edges of Antarctica, and the lush green fields of Iran. Gerster’s work, published in National Geographic and celebrated in exhibitions like the British Museum’s 2006 retrospective, stands as a testament to his 50 years of dedication to the preservation of history. His images (mostly shot on film) often give you a vast experience of color, space, and temporality. The location, often hard to depict. But it is often presented from a unique vantage point, in a way that resembles a visceral artwork from the works of contemporary painter Richard Diebenkorn.

Are we considering the end of March 2020 “peak Covid”? If we’re calling it that, that’s where we’ll start. I’m sure you all remember the feeling well. Prime panic, zombie-apocalypse vibes. Aggressive stares if you walked your dog without a mask on or stood in a group outside with your roommates. Companies began to roll out “no-contact delivery”. Only essential stores were open. No one knew exactly how the virus was transmitted, so we were wiping down our grocery items in the driveway before we went into the house. I had just quit my investment analyst job and was staying in central Florida in an empty house, worlds away from my carefully curated Miami Beach apartment and my 10 foot, baby pink, custom made curved couch. I loved that couch. It took 4 guys to get it upstairs and into that apartment, while my dad cussed and yelled “this is never leaving this apartment without a chainsaw”. I didn’t plan on ever switching out the couch, but sometimes things just speak to you- and one day, peak covid, as I sat in the singular piece of furniture (a broken papasan chair) in that empty house in central Florida I scrolled into a Facebook marketplace listing that stopped me dead in my tracks. The image was of a green velvet couch, curvy (the way I like my couches), and oh so perfect for my Miami apartment. It was in Orlando with a $50 asking price. I sprinted outside to show my boyfriend the couch, my friends, my dog. I needed the couch. I could have the couch. It was only an hour and $50 away. It was a STEAL. My excitement was met with a resounding sigh from everyone I showed. Where would I put it? What would I do with the pink one? On and on, discouraging questions topped off with negativity. They didn’t share the vision. None of this could change the magnetic pull I felt towards the couch.

Operating under the pseudonym Jean Jacques Balzac (a playful nod to the famous writer, albeit with an irreverent "ball sack" twist), the full-time architect explores his art direction and visual language through a blend of traditional methods and A.I, Jean’s work is visually striking—complex, obscure, and dystopian—yet it continuously invites contemplation and sparks discourse.‍ It’s both visually appealing and aesthetically ambiguous. Yet, it remains minimal enough to captivate architectural enthusiasts while staying obscure, provoking broader curiosity.‍ In the contemporary architectural landscape, there’s this ongoing debate about the "right way" versus the "wrong way" to approach design. The absence of foundational principles is increasingly overlooked in favor of financial gain. My conversation with Jean, whose dual practice bridges architecture and artificial intelligence, left me questioning whether such distinctions even matter at all.

First developed in the 1930s by Samuel Stephens Kistler, aerogels have since been refined to suit a variety of modern applications. Their unique combination of lightness, strength, and insulating properties has made them a staple material in cutting-edge technologies and research. Aerogel, often referred to as "frozen smoke" or "solid air," is a synthetic porous ultralight material derived from a gel, in which the liquid component is replaced with a gas. It is renowned for being one of the lightest solid materials in existence, with a density close to that of air. It's composed of a microporous silica, carbon, or metal oxide network that occupies only a small fraction of their volume, with the remainder being air. This unique structure gives aerogels their characteristic low density, translucency, and exceptional thermal insulation. They are also highly resistant to compression and have extremely low thermal conductivity, making them effective barriers to heat and cold. Despite its fragile appearance, aerogel is known for its remarkable insulating properties and structural strength.

In the original Metal Gear Solid released in 1998 for the Sony PlayStation 1, the character face textures became iconic for their simplicity. Due to the technical limitations of the PlayStation’s hardware, the game used low-polygon character models with textures that conveyed facial details in minimalistic, pixelated form. These textures featured abstracted yet expressive depictions, leveraging the constraints of 32-bit graphics to evoke emotion and identity through minimal details. Hideo Kojima’s direction turned these visuals into a signature style that complemented the stealth-action gameplay and cinematic narrative. The game itself, often credited with popularizing the stealth genre, revolved around Snake’s infiltration of Shadow Moses Island to neutralize the terrorist threat of FOXHOUND and Metal Gear REX. The PlayStation console's graphical constraints, such as limited texture memory and resolution, made the faces both a necessity and an aesthetic hallmark, embodying the creative ingenuity of late 1990s game design.

The Clock is a 24-hour video art installation by Swiss-American artist Christian Marclay. The piece is a meticulously constructed montage of thousands of film and television clips, each featuring clocks, timepieces, or references to specific times. Marclay conceived the idea for The Clock in 2005 while working on his earlier video piece Screen Play, where he sought a method for synchronizing music with film footage. The concept evolved into a broader exploration of time as a central theme. Wondering if it was possible to locate footage representing every minute of a 24-hour day, Marclay kept the idea under wraps for years, fearing it might be replicated. In 2007, after relocating to London, Marclay presented the idea to White Cube gallery. With their support and a budget exceeding $100,000, he assembled a team of researchers and editors to locate, catalog, and edit clips. Over the course of three years, they scoured films and television archives, piecing together the intricate timeline of The Clock. The installation functions as a real-time clock, with each scene corresponding to the actual time at which it is displayed. For example, a scene showing 3:15 p.m. on-screen will play at 3:15 p.m. local time. Since its debut, The Clock has been celebrated for its innovative approach to storytelling and its commentary on time, cinema, and human experience.

In this pre-social media era, personal branding was largely formed through reputation & the consistent delivery of high-quality work. Industry events hosted social gatherings where networking was done in person. Success often depended on relationships built over years of hard work rather than an online following. A decent profile grid, those candid images & a visually pleasing aesthetic to embellish the sight of everyday living seem to give you the ins to being a creative in today’s industry. For McGinley, this was just about the energy of being young, wild and free. Portraits of moments so raw, gritty & unfiltered. None of this was about art as a career. This habit of engagement was naturally carefree & made a name for their crew. The dynamic among this group of young friends, through McGinley’s lens, portrayed the spontaneity of New York City’s youth in the early 2000s. “I was so psychotically obsessed with documenting my life,” he said. “All I wanted to do was take pictures of anything and everything. One of my favorite things to do back then would be to go out and get completely demolished and take tons of photos. Then I’d get the film developed and they were like evidence of whatever I had done that night because I usually couldn’t remember any of it.” McGinley admitted to Vice in an interview. McGinley’s psychotic obsession to document his drug & alcohol-fueled nights with the surrogate family he formed with friends & fellow artists. This unconventional style was exclusive before social media came to slam this door shut. None of this needed direction. All of the moments that happened were captured and McGinley was there to get the shot. The direction was the energy they transmuted amongst one another. Ryan McGinley shot over 10,000 Polaroid photos. Almost 20 years ago, the Whitney Museum debuted Ryan McGinley’s “The Kids Were Alright” which captured a particular place & time in New York City. Making him the youngest artist to ever hold a solo exhibition. Before we had Instagram & TikTok or the ability to monetize an online presence, there were other ways to advance. Success in life depended on a combination of hard work, perseverance & the value of your engagement with established systems of business, academia, and creative institutions. Only a small percentage of individuals had to focus on their presentation for the rest of the world. Although the methods of engagement have evolved, many of the foundational principles of achievement and perseverance remain timeless. The rawness of McGinleys work was undeniable. Images of nude bodies, spontaneity, blurry nights, and tender moments grab hold of the audience. McGinley captured some of the best & some of the worst moments which helped to create a body of work that made McGinley a bona-fide, post millennial star that shifted culture.

I miss my CrackBerry. It’s been calling my name all week. I thought about popping a new SIM card in there just to see if it still had some juice. But finding a network for it now? Practically impossible. Sad times. The double thumb typing and full keyboard was so satisfying. If you know, then you probably were there for the Crackberry era. Typing emails on the go was god-like. The.trackball. Was.finicky. The second it started sticking—or worse, stopped moving—your world fell apart. Useless. Completely useless. I don’t even know where you’d go to fix one of those things today. Still…if I could bring it back, just for a day... I probably would.

I'm having flashbacks. It's 2003. My parents are in the living room dancing. The vibes are immaculate and everyone in the house (even grandma) is dancing too Shaggy and whinning to Sean Paul. The temperature is rising. And so are these shoooes. Jisoon Kim understands the vibe. But flips it. Whether it’s transforming old shoes into garments during his university days or turning discarded items into something completely new. His childhood fascination with tools and wooden figures shaped his creative instincts, as did his admiration for familiar silhouettes. These influences culminated in the ‘Wine Bag,’ a project that went viral in April 2023 and born from a creative slump-reconnecting him with the joy of making. As I chatted with Kim over IG, I couldn’t help but be intrigued by how his persistence makes the ambitious seem effortless.

Last June, while on a work-cation in Vienna, I found myself strolling through Innere Stadt (Austria), aimlessly window shopping. Then I saw it: an image of plastic chairs—the kind from neighborhood block parties I grew up seeing everywhere. It stopped me in my tracks. I literally backpedaled and stepped into the gallery. That’s where I met Peter Garmusch. His passion for his ‘Studio Project’ series was infectious, the kind that stays with you long after the conversation ends. Back home in the States, I couldn’t shake it and reached out to keep the dialogue going. In things most people overlook. From monoblock chairs in Dakar to custom car wraps in Cairo, his work captures raw beauty hiding in plain sight.

The following interview was conducted over text (translated) with Kou Yamamoto roughly 4 months ago. Kyoto based artist Kou Yamamoto peels back the layers to his creative process in our interview, inviting us into his sandbox. Kou's approach emphasizes trusting your inner voice, where nature, data, and the human form blur into one seamless piece. Even amid his meticulous explanations, his work leaves us pondering whether we are meant to fully comprehend it[…]

In 2002, the “Audio Tooth” was created by James Auger and Jimmy Loizeau. A miniature audio output device and receiver that would be implanted into the tooth during a routine dental surgery. It would offer somewhat of electronic telepathy as the sound information travels directly into the consciousness. Imagine a cellphone in your tooth. The idea was never meant to be made. But Jimmy and James deployed their controversial “invention” to the press, and created a media blitz. They even created a fictitious business, MIBEC (micro-in-body-electronics-corporation) and made a promo film describing the concept. After going public, articles were printed in all the mainstream UK newspapers and TV programs. Even being named in Time Magazine as one of the best inventions of 2002.

‍Remember the afternoons spent scrolling Google Street View, hunting for something out of the ordinary within the view of something familiar? Maybe it was your school, your neighborhood, or the path you walked home. If you’re late Gen Z, this might sound like ancient history. But back in 2005, it all started with Larry Page’s Rat Trap-rigged “Street View van” venturing around San Francisco to test their new idea. The photos didn’t go public, but by 2007, the first street view images were launched across four cities, including Miami. It felt like magic, a kid inside a video game. Dragging the little yellow man anywhere you wanted. Even in places you weren't allowed to go to. Seeing your world from a new angle, zooming in, zooming out. 20 years later, and we can now time-travel through Street View. Wild, right? But let’s talk about the weird stuff. The mistakes, the nudity, the chaos. The shit Google "accidentally" left in the pictures. German artist Michael Wolf leaned into this with his project titled, 'A Series of Unfortunate Events'. He spent hours trolling Google Street View for accidental moments from car crashes, fights, and tragedies. Then, he’d crop the image, photograph his screen, and curate it as his own. A bit genius. It’s like Street View became a collaborative art project for Wolf without even realizing it. Give us more Mr. Wolf, we want more.

Have you ever seen nuns skiing? Congregation of Mary Immaculate Queen order going skiing on a Sunday morning! Shot on the slopes of Ski Schweitzer, Idaho. for Warren Miller's film "Freeriders" (1988).

Photographer Nick Veasey explores the "in-between" with his x-ray vision... From the unconventional beginnings to a career that’s taken him from corporate clients to museum retrospectives, Nick’s journey uncovers the beauty and irony of life through x-ray imaging.

Step into artist/choreographer William Forsythe’s White Bouncy Castle, a big ass installation where visitors can bounce and sway to a soundtrack by Joel Ryan. Created in 1997, this choreographic playground for all ages invites guests to let go, portraying a unique blend of playfulness, space, and movement. Curated by Pedro Portellano.

A conversation with Dan Hays on his retrospective career, and his take on painting pixels in the Digital Age. His work is a tug of war on viewer's perception, causing a disorienting reaction when given context behind his unique approach to painting analog-like works of art. His sublime descriptions and manipulation of the brush is a key reason to why I originally approached this pixelated genius. in this interview, we discuss his childhood manifesto, "Colorado" series, his process, and how he transforms digital CRT aesthetics into intricate paintings.

From the town of Sète in the south of France to the noisy streets of New York, Julien Boudet, also known as Bleu Mode, has rapidly made a name for himself. His work, characterized by its polarizing impact on street fashion, culture, and hype, has caught the eyes of many, including prestigious collectors, clients, and collaborators. Blurring the lines between bootleg and authentic, sport and luxury, Julien reflects on his artistic journey in this conversation, emphasizing that his success in art and photography is rooted in consistent hard work, followed by his quote, “la route est longue,” or “the road is long.”

Bridging bunkers and pyramids in a brutalist form that defies typical architectural boundaries comes naturally to French-born architect Ludwig Godefroy. His journey, shaped by a pivotal trip to Mexico as a young adult, led to a rebirth of creativity deeply rooted in his influences. Godefroy blends brutalism with emotional architecture, crafting spaces where nature and structure coexist through raw materials like concrete, stone, and wood. In this conversation, he reflects on his process-driven approach, his inspirations, and how he remains true to himself in a place that wasn’t initially his home but became a lifelong love—Mexico.

*Fabian Knecht on deconstructing gallery spaces in nature German artist Fabian Knecht's Isolation series places de-constructible white cubes in natural landscapes, creating immersive spaces for visitors to explore. By contrasting the stark white walls of galleries with the beauty of the environment, Knecht invites contemplation on the relationship between art and nature.

Revolutionizing all-terrain electric vehicles Helsinki-based 18WHEELS has introduced the world’s first 18-wheel all-terrain electric vehicle. Inspired by Tesla’s Cybertruck, this prototype blends innovation with nostalgia, featuring a unique suspension system that reduces unsprung mass and enhances maneuverability, allowing it to navigate rough terrain like no other ATV.

I recently had the chance to interview Jonas Hollerup Helle—an artist who plays with this very concept of A.I., blending it with cultural and creative insights. Jonas is known for creating interviews with celebrities that feel bespoke and perfectly staged, yet there’s always an unexpected twist. Our conversation challenged the common narrative about A.I. and asked: Is A.I. really as revolutionary as we think, or are we giving it too much credit?

Jan Kempenaers on capturing forgotten monuments and the passage of time Antwerp-based photographer Jan Kempenaers' COMPOSITE series evokes feelings of isolation and decay, focusing on monumental structures that once held significance but now fade into obscurity. Set against desolate landscapes, these photos explore the transient nature of human constructs and the haunting passage of time.

Denis Agarkov and I sat down over coffee to catch up on his latest project, The Icebreaker keyboard. Inspired by brutalist architecture and avant-garde Russian literature, Agarkov challenges prevailing design trends with sharp, distinctive edges, raw organic materials, and bold, oversized forms. His uncompromising approach to creations like The Icebreaker keyboard is a testament to his success as both a designer and an engineer.

In his latest project, South Korean artist Sunghee Lee transforms urban billboards into blank canvases, challenging us to reconsider our interactions with public spaces and constant advertising.

Andrea Galvani blends intricate themes of the technical, philosophical , and the perception of nature. Among his remarkable works, "Death of an Image" is an extensive exploration into the nature of existence and the endurance of memory. Galvani’s approach is meticulous and process driven. He engaged with the landscape over several years, not just solely relying on his camera as a passive recording device; instead, he actively intervened in the landscape with an array of objects. By using mirrors to reflect and fracture light and executing a range of actions.

Through the lens of Water for the People, photographer Paul D’Amato immerses himself in the raw, everyday struggles and joys of communities like Chicago's Pilsen neighborhood. His commitment to long-term immersion reflects in every frame, where water becomes a symbol of working-class life. D'Amato’s deep understanding of the people he photographs offers an authentic look at lives often overlooked.

Architect and artist Philip Schaerer’s BILDBAUTEN series explores the perception of architectural space in the digital age. By creating hyper-realistic digital constructs that resemble photographs of actual buildings. Viewers question whether the work being presented to them is physical or digital.

Ana Mendieta’s Silueta Series captures her exploration of identity and belonging through “earth-body” art. This 1970s series channels her Cuban roots and the longing for home, with each silhouette imprinted on the earth as a reflection of her search for self. Mendieta documented her work meticulously, preserving the emotional essence of each piece as nature gradually transformed it.

Inspired by legends like Pierre Jeanneret and Tom Sachs, Andrew Doxtater’s Oval Chair combines DIY spirit with sustainable plywood design. In this interview, Andrew shares the journey behind his chair, from initial sketches to viral success, and hints at upcoming projects like his “Brutal Table.”

Pairing Virgil Abloh’s streetwear sensibility with Maybach’s luxury tradition might seem unlikely. Yet, it was in this space of contrasts that their collaboration thrived...

Joe Horner’s Detroit exhibit, "Oh Lord," is a merc rimmed on concrete blocks, blending ideas on spirituality, wealth, and the American dream. In this conversation, he shares the inspiration behind the piece, his reflections on Detroit’s legacy, and the challenges faced in bringing this installation to life.

Each July, the Xiaolangdi Dam on China’s Yellow River releases massive torrents through its portals to manage rising waters, creating a breathtaking display that attracts thousands of tourists. Construction was $3.5 billion USD

Adidas and BSTN, have combined their passion for basketball and the outdoors to create a project that sets place high above sea level in the Alps.

Crafted by audio artist Jesse 'Dean' Graves, the J 2000 is a functional DJ turntable built from LEGO, created for Pioneer DJ’s Art Mix project in support of VH1 Save the Music Foundation. This rare, limited-edition piece merges music, art, and nostalgia, making it a coveted collector’s item.