Yes… I miss my CrackBerry. I admit it…again. It’s been calling my name all week. I thought about popping a new SIM card in there just to see if it still had some juice. But finding a network for it now? Practically impossible. And BBM? disontinueeed. Sad times. Still, I can’t let go of the keyboard. The CLICK CLACK—ooooooh, sooo satisfying. Nobody did it like BlackBerry. That physical keyboard was a masterpiece. Double-thumb texting? They basically invented it. Typing emails on the go? God-like. But let's be practical... The.trackball. Was.finicky. The second it started sticking—or worse, stopped moving—your world fell apart. Useless. Completely useless. I don’t even know where you’d go to fix one of those things today. Still…if I could bring it back, just for a day... I probably would. Something about those days just hit different.

I'm having flashbacks. It's 2003. My parents are in the living room dancing. The vibes are immaculate and everyone in the house (even grandma) is dancing too Shaggy and whinning to Sean Paul. The temperature is rising. And so are these shoooes. Jisoon Kim understands the vibe. But flips it. Whether it’s transforming old shoes into garments during his university days or turning discarded items into something completely new. His childhood fascination with tools and wooden figures shaped his creative instincts, as did his admiration for familiar silhouettes. These influences culminated in the ‘Wine Bag,’ a project that went viral in April 2023 and born from a creative slump-reconnecting him with the joy of making. As I chatted with Kim over IG, I couldn’t help but be intrigued by how his persistence makes the ambitious seem effortless.

Last June, while on a work-cation in Vienna, I found myself strolling through Innere Stadt (Austria), aimlessly window shopping. Then I saw it: an image of plastic chairs—the kind from neighborhood block parties I grew up seeing everywhere. It stopped me in my tracks. I literally backpedaled and stepped into the gallery. That’s where I met Peter Garmusch. His passion for his ‘Studio Project’ series was infectious, the kind that stays with you long after the conversation ends. Back home in the States, I couldn’t shake it and reached out to keep the dialogue going. In things most people overlook. From monoblock chairs in Dakar to custom car wraps in Cairo, his work captures raw beauty hiding in plain sight.

$550,000 books?! Say what, say whaaat?! The irony of Worth Avenue is that it’s all worthless. Old money, and everything smells like Chanel. And the homeless smell like Jo Malone. It’s a ritzy, dystopian beach town and no one pays you any mind unless you’re dressed in the same uniform—of sorts. But I refuse to buy into the club. So, there I was, walking the streets with no desire to rack up any more credit card debt. Observing. But nestled between expensive stores, and privately owned galleries. A particular sign caught my attention. Raptis Rare Books is something that stands out amongst it all. Less of a store. More of a gallery. A museum. Preserving history. With two floors of dark, pristine-polished oak shelves towering to the ceiling, lined with rows of books with leather embossed spines. The first editions of literature that crafted humanity. With stories that continue to shape culture. Sound rich? Bouji? It is. Yet there’s something to be said about the preservation of artifacts done in such a way that brings to light a contrasted experience to what we run into with hallow brands these days. And they’ve got quite the collection of books that probably lived through more than all of us combined. The cheapest book here could cost you your rent. And walking out empty-handed stings when you’re on Worthless Avenue.

The following interview was conducted over text (translated) with Kou Yamamoto roughly 4 months ago. Kyoto based artist Kou Yamamoto peels back the layers to his creative process in our interview, inviting us into his sandbox. Kou's approach emphasizes trusting your inner voice, where nature, data, and the human form blur into one seamless piece. Even amid his meticulous explanations, his work leaves us pondering whether we are meant to fully comprehend it[…]

AI, Neuralink, self-driving everything. New products are dropping faster than ever, barely tested and rushed to market without considering long-term consequences. I'm aware that a lot of progress made brings good. Lives changed. Enhanced quality of living. And I respect it. Cool. Yet tech feels like it's moving so fast. And media is to blame. It’s almost impossible to pause and take it all in. Every few years, we’re sold another dream—another must-have. And society just keeps nodding along, another subscription, a new product, this, that. It’s easy. Too easy. Because we’ve already forgotten what we signed up for. This led me to reflect on searching for time when designers were provoking these questions through their ideas. "How far are we truly willing to go to integrate tech into our bodies?". In 2002, the “Audio Tooth” was created by James Auger and Jimmy Loizeau. A miniature audio output device and receiver that would be implanted into the tooth during a routine dental surgery. It would offer somewhat of electronic telepathy as the sound information travels directly into the consciousness. Imagine a cellphone in your tooth. The idea was never meant to be made. But Jimmy and James deployed their controversial “invention” to the press, and created a media blitz. They even created a fictitious business, MIBEC (micro-in-body-electronics-corporation) and made a promo film describing the concept. After going public, articles were printed in all the mainstream UK newspapers and TV programs. Even being named in Time Magazine as one of the best inventions of 2002. Although the device was never invented. Let alone, "prototyped"... it's a cool concept that once lived. I dig it.

‍Remember the afternoons spent scrolling Google Street View, hunting for something out of the ordinary within the view of something familiar? Maybe it was your school, your neighborhood, or the path you walked home. If you’re late Gen Z, this might sound like ancient history. But back in 2005, it all started with Larry Page’s Rat Trap-rigged “Street View van” venturing around San Francisco to test their new idea. The photos didn’t go public, but by 2007, the first street view images were launched across four cities, including Miami. It felt like magic, a kid inside a video game. Dragging the little yellow man anywhere you wanted. Even in places you weren't allowed to go to. Seeing your world from a new angle, zooming in, zooming out. 20 years later, and we can now time-travel through Street View. Wild, right? But let’s talk about the weird stuff. The mistakes, the nudity, the chaos. The shit Google "accidentally" left in the pictures. German artist Michael Wolf leaned into this with his project titled, 'A Series of Unfortunate Events'. He spent hours trolling Google Street View for accidental moments from car crashes, fights, and tragedies. Then, he’d crop the image, photograph his screen, and curate it as his own. A bit genius. It’s like Street View became a collaborative art project for Wolf without even realizing it. Give us more Mr. Wolf, we want more.

Have you ever seen nuns skiing? Congregation of Mary Immaculate Queen order going skiing on a Sunday morning! Shot on the slopes of Ski Schweitzer, Idaho. for Warren Miller's film "Freeriders" (1988).

Photographer Nick Veasey explores the "in-between" with his x-ray vision... From the unconventional beginnings to a career that’s taken him from corporate clients to museum retrospectives, Nick’s journey uncovers the beauty and irony of life through x-ray imaging.

Step into artist/choreographer William Forsythe’s White Bouncy Castle, a big ass installation where visitors can bounce and sway to a soundtrack by Joel Ryan. Created in 1997, this choreographic playground for all ages invites guests to let go, portraying a unique blend of playfulness, space, and movement. Curated by Pedro Portellano.

A conversation with Dan Hays on his retrospective career, and his take on painting pixels in the Digital Age. His work is a tug of war on viewer's perception, causing a disorienting reaction when given context behind his unique approach to painting analog-like works of art. His sublime descriptions and manipulation of the brush is a key reason to why I originally approached this pixelated genius. in this interview, we discuss his childhood manifesto, "Colorado" series, his process, and how he transforms digital CRT aesthetics into intricate paintings.

From the town of Sète in the south of France to the noisy streets of New York, Julien Boudet, also known as Bleu Mode, has rapidly made a name for himself. His work, characterized by its polarizing impact on street fashion, culture, and hype, has caught the eyes of many, including prestigious collectors, clients, and collaborators. Blurring the lines between bootleg and authentic, sport and luxury, Julien reflects on his artistic journey in this conversation, emphasizing that his success in art and photography is rooted in consistent hard work, followed by his quote, “la route est longue,” or “the road is long.”

Bridging bunkers and pyramids in a brutalist form that defies typical architectural boundaries comes naturally to French-born architect Ludwig Godefroy. His journey, shaped by a pivotal trip to Mexico as a young adult, led to a rebirth of creativity deeply rooted in his influences. Godefroy blends brutalism with emotional architecture, crafting spaces where nature and structure coexist through raw materials like concrete, stone, and wood. In this conversation, he reflects on his process-driven approach, his inspirations, and how he remains true to himself in a place that wasn’t initially his home but became a lifelong love—Mexico.

*Fabian Knecht on deconstructing gallery spaces in nature German artist Fabian Knecht's Isolation series places de-constructible white cubes in natural landscapes, creating immersive spaces for visitors to explore. By contrasting the stark white walls of galleries with the beauty of the environment, Knecht invites contemplation on the relationship between art and nature.

Revolutionizing all-terrain electric vehicles Helsinki-based 18WHEELS has introduced the world’s first 18-wheel all-terrain electric vehicle. Inspired by Tesla’s Cybertruck, this prototype blends innovation with nostalgia, featuring a unique suspension system that reduces unsprung mass and enhances maneuverability, allowing it to navigate rough terrain like no other ATV.

I recently had the chance to interview Jonas Hollerup Helle—an artist who plays with this very concept of A.I., blending it with cultural and creative insights. Jonas is known for creating interviews with celebrities that feel bespoke and perfectly staged, yet there’s always an unexpected twist. Our conversation challenged the common narrative about A.I. and asked: Is A.I. really as revolutionary as we think, or are we giving it too much credit?

Jan Kempenaers on capturing forgotten monuments and the passage of time Antwerp-based photographer Jan Kempenaers' COMPOSITE series evokes feelings of isolation and decay, focusing on monumental structures that once held significance but now fade into obscurity. Set against desolate landscapes, these photos explore the transient nature of human constructs and the haunting passage of time.

Denis Agarkov and I sat down over coffee to catch up on his latest project, The Icebreaker keyboard. Inspired by brutalist architecture and avant-garde Russian literature, Agarkov challenges prevailing design trends with sharp, distinctive edges, raw organic materials, and bold, oversized forms. His uncompromising approach to creations like The Icebreaker keyboard is a testament to his success as both a designer and an engineer.

In his latest project, South Korean artist Sunghee Lee transforms urban billboards into blank canvases, challenging us to reconsider our interactions with public spaces and constant advertising.

Andrea Galvani blends intricate themes of the technical, philosophical , and the perception of nature. Among his remarkable works, "Death of an Image" is an extensive exploration into the nature of existence and the endurance of memory. Galvani’s approach is meticulous and process driven. He engaged with the landscape over several years, not just solely relying on his camera as a passive recording device; instead, he actively intervened in the landscape with an array of objects. By using mirrors to reflect and fracture light and executing a range of actions.

Through the lens of Water for the People, photographer Paul D’Amato immerses himself in the raw, everyday struggles and joys of communities like Chicago's Pilsen neighborhood. His commitment to long-term immersion reflects in every frame, where water becomes a symbol of working-class life. D'Amato’s deep understanding of the people he photographs offers an authentic look at lives often overlooked.

Architect and artist Philip Schaerer’s BILDBAUTEN series explores the perception of architectural space in the digital age. By creating hyper-realistic digital constructs that resemble photographs of actual buildings. Viewers question whether the work being presented to them is physical or digital.

Ana Mendieta’s Silueta Series captures her exploration of identity and belonging through “earth-body” art. This 1970s series channels her Cuban roots and the longing for home, with each silhouette imprinted on the earth as a reflection of her search for self. Mendieta documented her work meticulously, preserving the emotional essence of each piece as nature gradually transformed it.

Inspired by legends like Pierre Jeanneret and Tom Sachs, Andrew Doxtater’s Oval Chair combines DIY spirit with sustainable plywood design. In this interview, Andrew shares the journey behind his chair, from initial sketches to viral success, and hints at upcoming projects like his “Brutal Table.”

Pairing Virgil Abloh’s streetwear sensibility with Maybach’s luxury tradition might seem unlikely. Yet, it was in this space of contrasts that their collaboration thrived...

Joe Horner’s Detroit exhibit, "Oh Lord," is a merc rimmed on concrete blocks, blending ideas on spirituality, wealth, and the American dream. In this conversation, he shares the inspiration behind the piece, his reflections on Detroit’s legacy, and the challenges faced in bringing this installation to life.

Each July, the Xiaolangdi Dam on China’s Yellow River releases massive torrents through its portals to manage rising waters, creating a breathtaking display that attracts thousands of tourists. Construction was $3.5 billion USD

Adidas and BSTN, have combined their passion for basketball and the outdoors to create a project that sets place high above sea level in the Alps.

Crafted by audio artist Jesse 'Dean' Graves, the J 2000 is a functional DJ turntable built from LEGO, created for Pioneer DJ’s Art Mix project in support of VH1 Save the Music Foundation. This rare, limited-edition piece merges music, art, and nostalgia, making it a coveted collector’s item.